Penned & painted : the art and meaning of books in medieval and renaissance manuscripts

Bibliographische Detailangaben

Titel
Penned & painted the art and meaning of books in medieval and renaissance manuscripts
verantwortlich
Sandler, Lucy Freeman (VerfasserIn)
veröffentlicht
London: British Library, 2022
©2022
Erscheinungsjahr
2022
Medientyp
Buch
Datenquelle
British National Bibliography
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245 1 0 |a Penned & painted  |b the art and meaning of books in medieval and renaissance manuscripts  |c Lucy Freeman Sandler 
246 3 |a Penned and painted 
246 3 0 |a Art and meaning of books in medieval and renaissance manuscripts 
264 1 |a London  |b British Library  |c 2022 
264 4 |c ©2022 
300 |a 176 pages :  |b illustrations (colour) ;  |c 26 cm 
336 |a text  |2 rdacontent 
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337 |a unmediated  |2 rdamedia 
338 |a volume  |2 rdacarrier 
504 |a Includes bibliographical references (pages 166-167) and indexes. 
520 3 |a "Penned & Painted is a beautifully produced, large format book in which one of the most celebrated historians of medieval art surveys one of the world's great collections and asks 'what is a medieval book?'. The idea of the book was central throughout the western European and the eastern Mediterranean world in the Middle Ages and the Renaissance. From the beginning, the word for 'book'-- sefer in Hebrew, biblia in Greek, and liber in Latin -- was identified with sacred writings -- the Holy Scriptures of Jews and Christians, who were known as 'people of the book'. The centrality of the book to medieval thought is reflected materially in the countless images of books that appear in the manuscripts of the era, be they in the most treasured, highly decorated, sacred texts or in devotional and secular works as well. In Penned & Painted, Lucy Freeman Sandler, one of one of the world's most respected authorities on medieval art, takes us on a personal but highly insightful exploration of some of the British Library's most precious manuscript holdings and describes the many uses and meanings of these 'books in books'. Through the fascinating face-to-face discovery of 60 manuscripts, she investigates the various types and forms of books as depicted in the era. How were they produced and what did they look like? What do they tell us of the lives and skills of the scribes and illuminators? What did these books record and signify? How were they displayed, consumed and how did some of these objects of supreme beauty even come to be wantonly destroyed? Penned & Painted is presented in full-colour throughout and includes a high number of images specially photographed for this volume." --  |c Publisher's website. 
505 0 |a Books as symbols. The word of God ; The law of the Lord ; The Virgin Mary's reading ; Books of the virtuous and the sinful life ; Books themselves -- Books in use. Scribes and authors ; Teachers ; Readers ; Presentation of books ; Books in liturgical and secular use ; Salvage and destruction of books. 
500 |a Formerly CIP.  |5 Uk 
650 0 |a Manuscripts, Medieval. 
650 0 |a Books  |x History  |y 400-1450. 
650 0 |a Books  |z Europe  |x History  |y 400-1450. 
650 0 |a Illumination of books and manuscripts, Medieval. 
650 0 |a Reading in art. 
650 0 |a Books in art. 
650 6 |a Manuscrits médiévaux. 
650 7 |a Manuscripts, Medieval.  |2 fast  |0 (OCoLC)fst01008422 
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contents Books as symbols. The word of God ; The law of the Lord ; The Virgin Mary's reading ; Books of the virtuous and the sinful life ; Books themselves -- Books in use. Scribes and authors ; Teachers ; Readers ; Presentation of books ; Books in liturgical and secular use ; Salvage and destruction of books., "Penned & Painted is a beautifully produced, large format book in which one of the most celebrated historians of medieval art surveys one of the world's great collections and asks 'what is a medieval book?'. The idea of the book was central throughout the western European and the eastern Mediterranean world in the Middle Ages and the Renaissance. From the beginning, the word for 'book'-- sefer in Hebrew, biblia in Greek, and liber in Latin -- was identified with sacred writings -- the Holy Scriptures of Jews and Christians, who were known as 'people of the book'. The centrality of the book to medieval thought is reflected materially in the countless images of books that appear in the manuscripts of the era, be they in the most treasured, highly decorated, sacred texts or in devotional and secular works as well. In Penned & Painted, Lucy Freeman Sandler, one of one of the world's most respected authorities on medieval art, takes us on a personal but highly insightful exploration of some of the British Library's most precious manuscript holdings and describes the many uses and meanings of these 'books in books'. Through the fascinating face-to-face discovery of 60 manuscripts, she investigates the various types and forms of books as depicted in the era. How were they produced and what did they look like? What do they tell us of the lives and skills of the scribes and illuminators? What did these books record and signify? How were they displayed, consumed and how did some of these objects of supreme beauty even come to be wantonly destroyed? Penned & Painted is presented in full-colour throughout and includes a high number of images specially photographed for this volume." --
ctrlnum (OCoLC)1303556914
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illustrated Illustrated
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isbn 9780712354363 :, 0712354360
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physical 176 pages; illustrations (colour); 26 cm
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spelling Sandler, Lucy Freeman author., Penned & painted the art and meaning of books in medieval and renaissance manuscripts Lucy Freeman Sandler, Penned and painted, Art and meaning of books in medieval and renaissance manuscripts, London British Library 2022, ©2022, 176 pages : illustrations (colour) ; 26 cm, text rdacontent, still image rdacontent, unmediated rdamedia, volume rdacarrier, Includes bibliographical references (pages 166-167) and indexes., "Penned & Painted is a beautifully produced, large format book in which one of the most celebrated historians of medieval art surveys one of the world's great collections and asks 'what is a medieval book?'. The idea of the book was central throughout the western European and the eastern Mediterranean world in the Middle Ages and the Renaissance. From the beginning, the word for 'book'-- sefer in Hebrew, biblia in Greek, and liber in Latin -- was identified with sacred writings -- the Holy Scriptures of Jews and Christians, who were known as 'people of the book'. The centrality of the book to medieval thought is reflected materially in the countless images of books that appear in the manuscripts of the era, be they in the most treasured, highly decorated, sacred texts or in devotional and secular works as well. In Penned & Painted, Lucy Freeman Sandler, one of one of the world's most respected authorities on medieval art, takes us on a personal but highly insightful exploration of some of the British Library's most precious manuscript holdings and describes the many uses and meanings of these 'books in books'. Through the fascinating face-to-face discovery of 60 manuscripts, she investigates the various types and forms of books as depicted in the era. How were they produced and what did they look like? What do they tell us of the lives and skills of the scribes and illuminators? What did these books record and signify? How were they displayed, consumed and how did some of these objects of supreme beauty even come to be wantonly destroyed? Penned & Painted is presented in full-colour throughout and includes a high number of images specially photographed for this volume." -- Publisher's website., Books as symbols. The word of God ; The law of the Lord ; The Virgin Mary's reading ; Books of the virtuous and the sinful life ; Books themselves -- Books in use. Scribes and authors ; Teachers ; Readers ; Presentation of books ; Books in liturgical and secular use ; Salvage and destruction of books., Formerly CIP. Uk, Manuscripts, Medieval., Books History 400-1450., Books Europe History 400-1450., Illumination of books and manuscripts, Medieval., Reading in art., Books in art., Manuscrits médiévaux., Manuscripts, Medieval. fast (OCoLC)fst01008422
spellingShingle Sandler, Lucy Freeman, Penned & painted: the art and meaning of books in medieval and renaissance manuscripts, Books as symbols. The word of God ; The law of the Lord ; The Virgin Mary's reading ; Books of the virtuous and the sinful life ; Books themselves -- Books in use. Scribes and authors ; Teachers ; Readers ; Presentation of books ; Books in liturgical and secular use ; Salvage and destruction of books., "Penned & Painted is a beautifully produced, large format book in which one of the most celebrated historians of medieval art surveys one of the world's great collections and asks 'what is a medieval book?'. The idea of the book was central throughout the western European and the eastern Mediterranean world in the Middle Ages and the Renaissance. From the beginning, the word for 'book'-- sefer in Hebrew, biblia in Greek, and liber in Latin -- was identified with sacred writings -- the Holy Scriptures of Jews and Christians, who were known as 'people of the book'. The centrality of the book to medieval thought is reflected materially in the countless images of books that appear in the manuscripts of the era, be they in the most treasured, highly decorated, sacred texts or in devotional and secular works as well. In Penned & Painted, Lucy Freeman Sandler, one of one of the world's most respected authorities on medieval art, takes us on a personal but highly insightful exploration of some of the British Library's most precious manuscript holdings and describes the many uses and meanings of these 'books in books'. Through the fascinating face-to-face discovery of 60 manuscripts, she investigates the various types and forms of books as depicted in the era. How were they produced and what did they look like? What do they tell us of the lives and skills of the scribes and illuminators? What did these books record and signify? How were they displayed, consumed and how did some of these objects of supreme beauty even come to be wantonly destroyed? Penned & Painted is presented in full-colour throughout and includes a high number of images specially photographed for this volume." --, Manuscripts, Medieval., Books History 400-1450., Books Europe History 400-1450., Illumination of books and manuscripts, Medieval., Reading in art., Books in art., Manuscrits médiévaux.
title Penned & painted: the art and meaning of books in medieval and renaissance manuscripts
title_alt Penned and painted, Art and meaning of books in medieval and renaissance manuscripts
title_auth Penned & painted the art and meaning of books in medieval and renaissance manuscripts
title_full Penned & painted the art and meaning of books in medieval and renaissance manuscripts Lucy Freeman Sandler
title_fullStr Penned & painted the art and meaning of books in medieval and renaissance manuscripts Lucy Freeman Sandler
title_full_unstemmed Penned & painted the art and meaning of books in medieval and renaissance manuscripts Lucy Freeman Sandler
title_short Penned & painted
title_sort penned painted the art and meaning of books in medieval and renaissance manuscripts
title_sub the art and meaning of books in medieval and renaissance manuscripts
topic Manuscripts, Medieval., Books History 400-1450., Books Europe History 400-1450., Illumination of books and manuscripts, Medieval., Reading in art., Books in art., Manuscrits médiévaux.
topic_facet Manuscripts, Medieval., Books, Illumination of books and manuscripts, Medieval., Reading in art., Books in art., Manuscrits médiévaux., History