|
|
|
|
| LEADER |
02597cam a2200349 i 4500 |
| 001 |
181-019479163 |
| 003 |
Uk |
| 005 |
20221231234844.0 |
| 008 |
171029s2018 maua b 001 0 eng c |
| 007 |
tu |
| 010 |
|
|
|a 2017042784
|
| 020 |
|
|
|a 9780262535410
|q (softcover)
|
| 040 |
|
|
|a LBSOR/DLC
|b eng
|c LBSOR
|d DLC
|d Uk
|e rda
|
| 042 |
|
|
|a ukblcatcopy
|
| 050 |
0 |
0 |
|a Z4
|b .B74 2018
|
| 082 |
0 |
0 |
|a 002.09
|2 23
|
| 100 |
1 |
|
|a Borsuk, Amaranth
|d 1980-
|e author.
|
| 245 |
1 |
4 |
|a The book
|c Amaranth Borsuk
|
| 264 |
|
1 |
|a Cambridge, MA
|b The MIT Press
|c [2018]
|
| 300 |
|
|
|a xvi, 322 pages :
|b illustrations ;
|c 18 cm.
|
| 336 |
|
|
|a text
|2 rdacontent
|
| 337 |
|
|
|a unmediated
|2 rdamedia
|
| 338 |
|
|
|a volume
|2 rdacarrier
|
| 490 |
0 |
|
|a The MIT Press essential knowledge series
|
| 520 |
0 |
|
|a "The Book tracks the ways the book's physical form and artistic content have historically inspired one another's evolution. Borsuk shows that in order to see where books might be going, we must think of them as objects whose physical shape has experienced a long history of experimentation and play. Rather than bemoaning the death of books or creating a dichotomy between print and digital media, Borsuk points to their continuities, positioning the book as a changing technology and highlighting the way poets and artists in the 20th and 21st centuries have pushed us to rethink our definitions of the term. Instead of a teleological story of ever-improving legibility, distribution, and engagement, the book's mutations tell us about our highly contingent cultural ideals of authorship and art. In mapping these shifts, Borsuk offers a path forward for those interested in shaping the book's future. More than a broad look at the book in the roles it plays, though (summed up by the chapter titles: book as object, book as content, book as idea, book as interface), this essential knowledge volume also offers a fascinating array of details, vignettes, and anecdotes: how the taste of insects for glue led to the use of stab binding, for example, or how humanism and Nazism could impact the typography used in mass market paperbacks in the UK, or how feeling "out of sorts" has its roots in printer's lingo"--
|c Provided by publisher.
|
| 504 |
|
|
|a Includes bibliographical references (pages 297-307) and index.
|
| 505 |
0 |
|
|a The book as object -- The book as content -- The book as idea -- The book as interface.
|
| 540 |
|
|
|a Current Copyright Fee: GBP15.00
|c 0
|5 Uk
|
| 650 |
|
0 |
|a Books
|x History.
|
| 650 |
|
0 |
|a Printing
|x History.
|
| 852 |
4 |
1 |
|a British Library
|b DSC
|j m19/.11225
|
| 980 |
|
|
|a 019479163
|b 181
|c sid-181-col-blfidbbi
|
SOLR
| _version_ |
1778755929576046592 |
| access_facet |
Local Holdings |
| author |
Borsuk, Amaranth |
| author_facet |
Borsuk, Amaranth |
| author_role |
aut |
| author_sort |
Borsuk, Amaranth 1980- |
| author_variant |
a b ab |
| building |
Library A |
| callnumber-first |
Z - Library Science |
| callnumber-label |
Z4 |
| callnumber-raw |
Z4 .B74 2018 |
| callnumber-search |
Z4 .B74 2018 |
| callnumber-sort |
Z 14 B74 42018 |
| callnumber-subject |
Z - Books and Writing |
| collection |
sid-181-col-blfidbbi |
| contents |
The book as object -- The book as content -- The book as idea -- The book as interface., "The Book tracks the ways the book's physical form and artistic content have historically inspired one another's evolution. Borsuk shows that in order to see where books might be going, we must think of them as objects whose physical shape has experienced a long history of experimentation and play. Rather than bemoaning the death of books or creating a dichotomy between print and digital media, Borsuk points to their continuities, positioning the book as a changing technology and highlighting the way poets and artists in the 20th and 21st centuries have pushed us to rethink our definitions of the term. Instead of a teleological story of ever-improving legibility, distribution, and engagement, the book's mutations tell us about our highly contingent cultural ideals of authorship and art. In mapping these shifts, Borsuk offers a path forward for those interested in shaping the book's future. More than a broad look at the book in the roles it plays, though (summed up by the chapter titles: book as object, book as content, book as idea, book as interface), this essential knowledge volume also offers a fascinating array of details, vignettes, and anecdotes: how the taste of insects for glue led to the use of stab binding, for example, or how humanism and Nazism could impact the typography used in mass market paperbacks in the UK, or how feeling "out of sorts" has its roots in printer's lingo"-- |
| dewey-full |
002.09 |
| dewey-hundreds |
000 - Computer science, information & general works |
| dewey-ones |
002 - The book |
| dewey-raw |
002.09 |
| dewey-search |
002.09 |
| dewey-sort |
12.09 |
| dewey-tens |
000 - Computer science, knowledge & systems |
| facet_avail |
Local |
| finc_class_facet |
Informatik, Allgemeines |
| fincclass_txtF_mv |
information-knowledge |
| format |
Book |
| format_access_txtF_mv |
Book, E-Book |
| format_de14 |
Book, E-Book |
| format_de15 |
Book, E-Book |
| format_del152 |
Buch |
| format_detail_txtF_mv |
text-print-monograph-independent |
| format_dezi4 |
e-Book |
| format_finc |
Book, E-Book |
| format_legacy |
Book |
| format_legacy_nrw |
Book, E-Book |
| format_nrw |
Book, E-Book |
| format_strict_txtF_mv |
Book |
| geogr_code |
not assigned |
| geogr_code_person |
not assigned |
| id |
181-019479163 |
| illustrated |
Illustrated |
| imprint |
Cambridge, MA, The MIT Press, [2018] |
| imprint_str_mv |
Cambridge, MA The MIT Press [2018] |
| institution |
FID-BBI-DE-23 |
| is_hierarchy_id |
|
| is_hierarchy_title |
|
| isbn |
9780262535410 |
| isil_str_mv |
FID-BBI-DE-23 |
| language |
English |
| last_indexed |
2023-10-03T17:24:04.857Z |
| lccn |
2017042784 |
| match_str |
borsuk2018thebook |
| mega_collection |
British Library Catalogue |
| physical |
xvi, 322 pages; illustrations; 18 cm |
| publishDate |
[2018] |
| publishDateSort |
2018 |
| publishPlace |
Cambridge, MA |
| publisher |
The MIT Press |
| record_format |
marcfinc |
| record_id |
019479163 |
| recordtype |
marcfinc |
| rvk_facet |
No subject assigned |
| series2 |
The MIT Press essential knowledge series |
| source_id |
181 |
| spelling |
Borsuk, Amaranth 1980- author., The book Amaranth Borsuk, Cambridge, MA The MIT Press [2018], xvi, 322 pages : illustrations ; 18 cm., text rdacontent, unmediated rdamedia, volume rdacarrier, The MIT Press essential knowledge series, "The Book tracks the ways the book's physical form and artistic content have historically inspired one another's evolution. Borsuk shows that in order to see where books might be going, we must think of them as objects whose physical shape has experienced a long history of experimentation and play. Rather than bemoaning the death of books or creating a dichotomy between print and digital media, Borsuk points to their continuities, positioning the book as a changing technology and highlighting the way poets and artists in the 20th and 21st centuries have pushed us to rethink our definitions of the term. Instead of a teleological story of ever-improving legibility, distribution, and engagement, the book's mutations tell us about our highly contingent cultural ideals of authorship and art. In mapping these shifts, Borsuk offers a path forward for those interested in shaping the book's future. More than a broad look at the book in the roles it plays, though (summed up by the chapter titles: book as object, book as content, book as idea, book as interface), this essential knowledge volume also offers a fascinating array of details, vignettes, and anecdotes: how the taste of insects for glue led to the use of stab binding, for example, or how humanism and Nazism could impact the typography used in mass market paperbacks in the UK, or how feeling "out of sorts" has its roots in printer's lingo"-- Provided by publisher., Includes bibliographical references (pages 297-307) and index., The book as object -- The book as content -- The book as idea -- The book as interface., Current Copyright Fee: GBP15.00 0 Uk, Books History., Printing History., British Library DSC m19/.11225 |
| spellingShingle |
Borsuk, Amaranth, The book, The book as object -- The book as content -- The book as idea -- The book as interface., "The Book tracks the ways the book's physical form and artistic content have historically inspired one another's evolution. Borsuk shows that in order to see where books might be going, we must think of them as objects whose physical shape has experienced a long history of experimentation and play. Rather than bemoaning the death of books or creating a dichotomy between print and digital media, Borsuk points to their continuities, positioning the book as a changing technology and highlighting the way poets and artists in the 20th and 21st centuries have pushed us to rethink our definitions of the term. Instead of a teleological story of ever-improving legibility, distribution, and engagement, the book's mutations tell us about our highly contingent cultural ideals of authorship and art. In mapping these shifts, Borsuk offers a path forward for those interested in shaping the book's future. More than a broad look at the book in the roles it plays, though (summed up by the chapter titles: book as object, book as content, book as idea, book as interface), this essential knowledge volume also offers a fascinating array of details, vignettes, and anecdotes: how the taste of insects for glue led to the use of stab binding, for example, or how humanism and Nazism could impact the typography used in mass market paperbacks in the UK, or how feeling "out of sorts" has its roots in printer's lingo"--, Books History., Printing History. |
| title |
The book |
| title_auth |
The book |
| title_full |
The book Amaranth Borsuk |
| title_fullStr |
The book Amaranth Borsuk |
| title_full_unstemmed |
The book Amaranth Borsuk |
| title_short |
The book |
| title_sort |
book |
| topic |
Books History., Printing History. |
| topic_facet |
Books, Printing, History. |