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|a The passionate pilgrim and Shakespeare's 'sugred' reputation -- Reading and revising Shake-Speare's sonnets (1609) -- The manuscripts of Sonnet 2: sex, sonnets, and spirituality -- John Benson's sonnet sequences (poems: written by Wil. Shake-Speare. Gent.) -- Celebrations of church and king: an early Cambridge reader -- Restoration revisions: musical, dramatic, and miscellany readings -- Supplementing Shakespeare and creating the canon -- Edmond Malone: plotting the sonnets -- Reading the sonnets after Malone: independent responses
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|a For more than four centuries, cultural preferences, literary values, critical contexts, and personal tastes have governed readers' responses to Shakespeare's sonnets. Early private readers often considered these poems in light of the religious, political, and humanist values by which they lived. Other seventeenth- and eighteenth- century readers, such as stationers and editors, balanced their personal literary preferences against the imagined or actual interests of the literate public to whom they marketed carefully curated editions of the sonnets, often successfully. Whether public or private, however, many disparate sonnet interpretations from the sonnets' first two centuries in print have been overlooked by modern sonnet scholarship, with its emphasis on narrative and amorous readings of the 1609 sequence. First Readers of Shakespeare's Sonnets reintroduces many early readings of Shakespeare's sonnets, arguing that studying the priorities and interpretations of these previous readers expands the modern critical applications of these poems, thereby affording them numerous future applications. This volume draws upon book history, manuscript studies, and editorial theory to recover four lost critical approaches to the sonnets, highlighting early readers' interests in Shakespeare's classical adaptations, political applicability, religious themes, and rhetorical skill during the seventeenth and eighteenth centuries
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The passionate pilgrim and Shakespeare's 'sugred' reputation -- Reading and revising Shake-Speare's sonnets (1609) -- The manuscripts of Sonnet 2: sex, sonnets, and spirituality -- John Benson's sonnet sequences (poems: written by Wil. Shake-Speare. Gent.) -- Celebrations of church and king: an early Cambridge reader -- Restoration revisions: musical, dramatic, and miscellany readings -- Supplementing Shakespeare and creating the canon -- Edmond Malone: plotting the sonnets -- Reading the sonnets after Malone: independent responses, For more than four centuries, cultural preferences, literary values, critical contexts, and personal tastes have governed readers' responses to Shakespeare's sonnets. Early private readers often considered these poems in light of the religious, political, and humanist values by which they lived. Other seventeenth- and eighteenth- century readers, such as stationers and editors, balanced their personal literary preferences against the imagined or actual interests of the literate public to whom they marketed carefully curated editions of the sonnets, often successfully. Whether public or private, however, many disparate sonnet interpretations from the sonnets' first two centuries in print have been overlooked by modern sonnet scholarship, with its emphasis on narrative and amorous readings of the 1609 sequence. First Readers of Shakespeare's Sonnets reintroduces many early readings of Shakespeare's sonnets, arguing that studying the priorities and interpretations of these previous readers expands the modern critical applications of these poems, thereby affording them numerous future applications. This volume draws upon book history, manuscript studies, and editorial theory to recover four lost critical approaches to the sonnets, highlighting early readers' interests in Shakespeare's classical adaptations, political applicability, religious themes, and rhetorical skill during the seventeenth and eighteenth centuries |
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Acker, Faith D. VerfasserIn (DE-588)1220738743 (DE-627)1737649977 aut, First readers of Shakespeare's sonnets, 1590-1790 Faith D. Acker, New York London Routledge, Taylor & Francis Group 2021, xxiii, 246 Seiten Illustrationen 24 cm, Text txt rdacontent, ohne Hilfsmittel zu benutzen n rdamedia, Band nc rdacarrier, Routledge studies in Shakespeare, Includes bibliographical references and index, The passionate pilgrim and Shakespeare's 'sugred' reputation -- Reading and revising Shake-Speare's sonnets (1609) -- The manuscripts of Sonnet 2: sex, sonnets, and spirituality -- John Benson's sonnet sequences (poems: written by Wil. Shake-Speare. Gent.) -- Celebrations of church and king: an early Cambridge reader -- Restoration revisions: musical, dramatic, and miscellany readings -- Supplementing Shakespeare and creating the canon -- Edmond Malone: plotting the sonnets -- Reading the sonnets after Malone: independent responses, For more than four centuries, cultural preferences, literary values, critical contexts, and personal tastes have governed readers' responses to Shakespeare's sonnets. Early private readers often considered these poems in light of the religious, political, and humanist values by which they lived. Other seventeenth- and eighteenth- century readers, such as stationers and editors, balanced their personal literary preferences against the imagined or actual interests of the literate public to whom they marketed carefully curated editions of the sonnets, often successfully. Whether public or private, however, many disparate sonnet interpretations from the sonnets' first two centuries in print have been overlooked by modern sonnet scholarship, with its emphasis on narrative and amorous readings of the 1609 sequence. First Readers of Shakespeare's Sonnets reintroduces many early readings of Shakespeare's sonnets, arguing that studying the priorities and interpretations of these previous readers expands the modern critical applications of these poems, thereby affording them numerous future applications. This volume draws upon book history, manuscript studies, and editorial theory to recover four lost critical approaches to the sonnets, highlighting early readers' interests in Shakespeare's classical adaptations, political applicability, religious themes, and rhetorical skill during the seventeenth and eighteenth centuries, Shakespeare, William 1564-1616 Sonnets, Shakespeare, William 1564-1616 Criticism and interpretation History, p (DE-588)118613723 (DE-627)133447340 (DE-576)209110236 Shakespeare, William 1564-1616 gnd, s (DE-588)4055555-0 (DE-627)10615768X (DE-576)209114363 Sonett gnd, s (DE-588)4049716-1 (DE-627)104675152 (DE-576)209083182 Rezeption gnd, z gnd Geschichte 1590-1790, (DE-627), 9781003048954, Erscheint auch als Online-Ausgabe Acker, Faith D. First readers of Shakespeare's sonnets, 1590-1790 New York, NY : Routledge, 2021 1 Online-Ressource (xxiii, 246 Seiten) (DE-627)1757752471 9781000190717 9781003048954 9781000190816 9781000190762 |
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Acker, Faith D., First readers of Shakespeare's sonnets, 1590-1790, The passionate pilgrim and Shakespeare's 'sugred' reputation -- Reading and revising Shake-Speare's sonnets (1609) -- The manuscripts of Sonnet 2: sex, sonnets, and spirituality -- John Benson's sonnet sequences (poems: written by Wil. Shake-Speare. Gent.) -- Celebrations of church and king: an early Cambridge reader -- Restoration revisions: musical, dramatic, and miscellany readings -- Supplementing Shakespeare and creating the canon -- Edmond Malone: plotting the sonnets -- Reading the sonnets after Malone: independent responses, For more than four centuries, cultural preferences, literary values, critical contexts, and personal tastes have governed readers' responses to Shakespeare's sonnets. Early private readers often considered these poems in light of the religious, political, and humanist values by which they lived. Other seventeenth- and eighteenth- century readers, such as stationers and editors, balanced their personal literary preferences against the imagined or actual interests of the literate public to whom they marketed carefully curated editions of the sonnets, often successfully. Whether public or private, however, many disparate sonnet interpretations from the sonnets' first two centuries in print have been overlooked by modern sonnet scholarship, with its emphasis on narrative and amorous readings of the 1609 sequence. First Readers of Shakespeare's Sonnets reintroduces many early readings of Shakespeare's sonnets, arguing that studying the priorities and interpretations of these previous readers expands the modern critical applications of these poems, thereby affording them numerous future applications. This volume draws upon book history, manuscript studies, and editorial theory to recover four lost critical approaches to the sonnets, highlighting early readers' interests in Shakespeare's classical adaptations, political applicability, religious themes, and rhetorical skill during the seventeenth and eighteenth centuries, Shakespeare, William 1564-1616 Sonnets, Shakespeare, William 1564-1616 Criticism and interpretation History, Shakespeare, William, Sonett, Rezeption, Geschichte 1590-1790 |
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First readers of Shakespeare's sonnets, 1590-1790 |
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First readers of Shakespeare's sonnets, 1590-1790 |
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First readers of Shakespeare's sonnets, 1590-1790 Faith D. Acker |
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First readers of Shakespeare's sonnets, 1590-1790 Faith D. Acker |
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First readers of Shakespeare's sonnets, 1590-1790 Faith D. Acker |
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First readers of Shakespeare's sonnets, 1590-1790 |
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first readers of shakespeare's sonnets, 1590-1790 |
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First readers of Shakespeare's sonnets, 1590-1790 |
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Shakespeare, William 1564-1616 Sonnets, Shakespeare, William 1564-1616 Criticism and interpretation History, Shakespeare, William, Sonett, Rezeption, Geschichte 1590-1790 |
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Shakespeare, William, Criticism and interpretation, History, Sonett, Rezeption, Geschichte 1590-1790 |
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