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|a Disiecta membra musicae
|b studies in musical fragmentology
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|a Verlagsinfo: Although fragments from music manuscripts have occupied a place of considerable importance since the very early days of modern musicology, a collective, up-to-date, and comprehensive discussion of the various techniques and approaches for their study was lacking. On-line resources have also become increasingly crucial for the identification, study, and textual/musical reconstruction of fragmentary sources. Disiecta Membra Musicae. Studies in Musical Fragmentology aims at reviewing the state of the art in the study of medieval music fragments in Europe, the variety of methodologies for studying the repertory and its transmission, musical palaeography, codicology, liturgy, historical and cultural contexts, etc. This collection of essays provides an opportunity to reflect also on broader issues, such as the role of fragments in last century’s musicology, how fragmentary material shaped our conception of the written transmission of early European music, and how new fragments are being discovered in the digital age. Known fragments and new technology, new discoveries and traditional methodology alternate in this collection of essays, whose topics range from plainchant to ars nova and fifteenth- to sixteenth-century polyphony
|
| 520 |
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|a Frontmatter -- Contents -- Preface -- Overview -- Polyphonic Fragments: Destruction, Recovery, Reconstruction -- Models -- Processional Chants in the Early Medieval Period: The Lesson of Fragments -- Some Medieval Relics of Saints’ Plainchant Offices -- Trails -- Music Fragments from Slovenia: Towards a Reconstruction of the Medieval Plainchant Manuscript Production -- Polyphonic Music of the Fourteenth Century in Aragon: Reassessing a Panorama of Fragmentary Sources -- Fragments of Local Polyphony in Late Medieval Central Europe: Towards a Semiotic Interpretation of Musical Sources -- Receivers -- Make Do and Mend: Reworking Liturgical Parchment Manuscripts in Post-Reformation Sweden -- The Aesthetics of Fragments: Reading Pastedowns in Context or, Late Medieval Bookbinders, Readers, and Their Choices -- Representations -- A Collection of Fragments, or a Fragment of a Collection? The Musical Appendix of A-Wn Cod. 5094 -- The Unexpected Song: An Early Italian Vernacular Poem, a Neumatic Notation, and How to Detect Their Interrelationships in the Ravenna Charter -- Processes -- Fragmenta Manuscriptorum Musicalium Hungariae Mediaevalis: From Traditional Methodologies Towards a Digital Corpus -- Restoration, Reconstruction, and Revisionism: Altering Our Virtual Perception of Damaged Manuscripts -- Indexes -- Index of Manuscripts and Fragments -- Index of Chants and Compositions -- General Index.
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|a In English
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Disiecta membra musicae studies in musical fragmentology edited by Giovanni Varelli, Berlin Boston De Gruyter [2020], 1 Online-Ressource (VI, 398 Seiten) Illustrationen, Notenbeispiele, Text txt rdacontent, Computermedien c rdamedia, Online-Ressource cr rdacarrier, Studies in Manuscript Cultures volume 21, Open Access Controlled Vocabulary for Access Rights https://purl.org/coar/access_right/c_abf2, Verlagsinfo: Although fragments from music manuscripts have occupied a place of considerable importance since the very early days of modern musicology, a collective, up-to-date, and comprehensive discussion of the various techniques and approaches for their study was lacking. On-line resources have also become increasingly crucial for the identification, study, and textual/musical reconstruction of fragmentary sources. Disiecta Membra Musicae. Studies in Musical Fragmentology aims at reviewing the state of the art in the study of medieval music fragments in Europe, the variety of methodologies for studying the repertory and its transmission, musical palaeography, codicology, liturgy, historical and cultural contexts, etc. This collection of essays provides an opportunity to reflect also on broader issues, such as the role of fragments in last century’s musicology, how fragmentary material shaped our conception of the written transmission of early European music, and how new fragments are being discovered in the digital age. Known fragments and new technology, new discoveries and traditional methodology alternate in this collection of essays, whose topics range from plainchant to ars nova and fifteenth- to sixteenth-century polyphony, Frontmatter -- Contents -- Preface -- Overview -- Polyphonic Fragments: Destruction, Recovery, Reconstruction -- Models -- Processional Chants in the Early Medieval Period: The Lesson of Fragments -- Some Medieval Relics of Saints’ Plainchant Offices -- Trails -- Music Fragments from Slovenia: Towards a Reconstruction of the Medieval Plainchant Manuscript Production -- Polyphonic Music of the Fourteenth Century in Aragon: Reassessing a Panorama of Fragmentary Sources -- Fragments of Local Polyphony in Late Medieval Central Europe: Towards a Semiotic Interpretation of Musical Sources -- Receivers -- Make Do and Mend: Reworking Liturgical Parchment Manuscripts in Post-Reformation Sweden -- The Aesthetics of Fragments: Reading Pastedowns in Context or, Late Medieval Bookbinders, Readers, and Their Choices -- Representations -- A Collection of Fragments, or a Fragment of a Collection? The Musical Appendix of A-Wn Cod. 5094 -- The Unexpected Song: An Early Italian Vernacular Poem, a Neumatic Notation, and How to Detect Their Interrelationships in the Ravenna Charter -- Processes -- Fragmenta Manuscriptorum Musicalium Hungariae Mediaevalis: From Traditional Methodologies Towards a Digital Corpus -- Restoration, Reconstruction, and Revisionism: Altering Our Virtual Perception of Damaged Manuscripts -- Indexes -- Index of Manuscripts and Fragments -- Index of Chants and Compositions -- General Index., Mode of access: Internet via World Wide Web., Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0 International CC BY-NC-ND 4.0 cc https://creativecommons.org/licenses/by-nc-nd/4.0/, In English, LITERARY CRITICISM / General, Mediaeval music, fragments, liturgy, materiality, Aufsatzsammlung (DE-588)4143413-4 (DE-627)105605727 (DE-576)209726091 gnd-content, s (DE-588)4040847-4 (DE-627)104106743 (DE-576)209042451 Musikhandschrift gnd, s (DE-588)4155137-0 (DE-627)104151048 (DE-576)209816597 Fragment gnd, z gnd Geschichte, (DE-627), s (DE-588)4038217-5 (DE-627)104744952 (DE-576)209029161 Mediävistik gnd, s (DE-588)4126273-6 (DE-627)104434422 (DE-576)20958369X Manuskript gnd, s (DE-588)4169330-9 (DE-627)10449283X (DE-576)209922117 Mehrstimmigkeit Musik gnd, s (DE-588)4040802-4 (DE-627)104137754 (DE-576)209042346 Musik gnd, Varelli, Giovanni HerausgeberIn (DE-588)1042551774 (DE-627)769106315 (DE-576)394030109 edt, Sabaino, Daniele 1962- MitwirkendeR (DE-588)1060270900 (DE-627)799355720 (DE-576)416358586 ctb, Catalunya, David 1981- MitwirkendeR (DE-588)1059734184 (DE-627)798801271 (DE-576)415805422 ctb, Hiley, David 1947- MitwirkendeR (DE-588)115615318 (DE-627)518670430 (DE-576)279439121 ctb, Craig-McFeely, Julia MitwirkendeR (DE-588)1036886875 (DE-627)751391522 (DE-576)389290580 ctb, Snoj, Jurij 1953- MitwirkendeR (DE-588)1033822884 (DE-627)742564878 (DE-576)381485579 ctb, Kügle, Karl 1956- MitwirkendeR (DE-588)140816356 (DE-627)622582445 (DE-576)320910105 ctb, Bent, Margaret 1940- MitwirkendeR (DE-588)131357891 (DE-627)507968360 (DE-576)167135856 ctb, Gancarczyk, Paweł 1970- MitwirkendeR (DE-588)1036276317 (DE-627)749825502 (DE-576)383794013 ctb, Strohm, Reinhard 1942- MitwirkendeR (DE-588)133677311 (DE-627)550685936 (DE-576)27458512X ctb, Raninen, Sanna MitwirkendeR (DE-588)1186743336 (DE-627)1666023280 ctb, Rankin, Susan MitwirkendeR (DE-588)1030011567 (DE-627)734600542 (DE-576)377829889 ctb, Czagány, Zsuzsa MitwirkendeR (DE-588)1081789069 (DE-627)846665808 (DE-576)454791291 ctb, Sonderforschungsbereich Manuskriptkulturen in Asien, Afrika und Europa (DE-588)102242436X (DE-627)716968819 (DE-576)365321206 oth, 9783110717228 gebunden, Erscheint auch als Druck-Ausgabe "Disiecta Membra Musicae" Berlin : De Gruyter, 2020 VI, 398 Seiten (DE-627)1727862686 9783110717228 3110717220, Studies in manuscript cultures volume 21 21 (DE-627)869467638 (DE-576)477623425 (DE-600)2870012-0 2365-970X ns, https://doi.org/10.1515/9783110717884 X:GRUY Resolving-System Open Access kostenfrei, https://www.degruyter.com/isbn/9783110717884 X:GRUY Verlag Open Access kostenfrei, https://www.degruyter.com/cover/covers/9783110717884.jpg X:GRUY Verlag Cover, https://www.degruyter.com/document/cover/isbn/9783110717884/original X:GRUY Verlag lizenzpflichtig Cover, https://www.degruyter.com/document/doi/10.1515/9783110717884/html application Inhaltsbeschreibung |
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Disiecta membra musicae: studies in musical fragmentology, Studies in manuscript cultures, volume 21, Verlagsinfo: Although fragments from music manuscripts have occupied a place of considerable importance since the very early days of modern musicology, a collective, up-to-date, and comprehensive discussion of the various techniques and approaches for their study was lacking. On-line resources have also become increasingly crucial for the identification, study, and textual/musical reconstruction of fragmentary sources. Disiecta Membra Musicae. Studies in Musical Fragmentology aims at reviewing the state of the art in the study of medieval music fragments in Europe, the variety of methodologies for studying the repertory and its transmission, musical palaeography, codicology, liturgy, historical and cultural contexts, etc. This collection of essays provides an opportunity to reflect also on broader issues, such as the role of fragments in last century’s musicology, how fragmentary material shaped our conception of the written transmission of early European music, and how new fragments are being discovered in the digital age. Known fragments and new technology, new discoveries and traditional methodology alternate in this collection of essays, whose topics range from plainchant to ars nova and fifteenth- to sixteenth-century polyphony, Frontmatter -- Contents -- Preface -- Overview -- Polyphonic Fragments: Destruction, Recovery, Reconstruction -- Models -- Processional Chants in the Early Medieval Period: The Lesson of Fragments -- Some Medieval Relics of Saints’ Plainchant Offices -- Trails -- Music Fragments from Slovenia: Towards a Reconstruction of the Medieval Plainchant Manuscript Production -- Polyphonic Music of the Fourteenth Century in Aragon: Reassessing a Panorama of Fragmentary Sources -- Fragments of Local Polyphony in Late Medieval Central Europe: Towards a Semiotic Interpretation of Musical Sources -- Receivers -- Make Do and Mend: Reworking Liturgical Parchment Manuscripts in Post-Reformation Sweden -- The Aesthetics of Fragments: Reading Pastedowns in Context or, Late Medieval Bookbinders, Readers, and Their Choices -- Representations -- A Collection of Fragments, or a Fragment of a Collection? The Musical Appendix of A-Wn Cod. 5094 -- The Unexpected Song: An Early Italian Vernacular Poem, a Neumatic Notation, and How to Detect Their Interrelationships in the Ravenna Charter -- Processes -- Fragmenta Manuscriptorum Musicalium Hungariae Mediaevalis: From Traditional Methodologies Towards a Digital Corpus -- Restoration, Reconstruction, and Revisionism: Altering Our Virtual Perception of Damaged Manuscripts -- Indexes -- Index of Manuscripts and Fragments -- Index of Chants and Compositions -- General Index., LITERARY CRITICISM / General, Mediaeval music, fragments, liturgy, materiality, Aufsatzsammlung, Musikhandschrift, Fragment, Geschichte, Mediävistik, Manuskript, Mehrstimmigkeit Musik, Musik |
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Disiecta membra musicae: studies in musical fragmentology |
| title_auth |
Disiecta membra musicae studies in musical fragmentology |
| title_full |
Disiecta membra musicae studies in musical fragmentology edited by Giovanni Varelli |
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Disiecta membra musicae studies in musical fragmentology edited by Giovanni Varelli |
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Disiecta membra musicae studies in musical fragmentology edited by Giovanni Varelli |
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volume 21. Disiecta membra musicae: studies in musical fragmentology ([2020]) |
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Disiecta membra musicae |
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disiecta membra musicae studies in musical fragmentology |
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studies in musical fragmentology |
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Disiecta membra musicae: studies in musical fragmentology |
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LITERARY CRITICISM / General, Mediaeval music, fragments, liturgy, materiality, Aufsatzsammlung, Musikhandschrift, Fragment, Geschichte, Mediävistik, Manuskript, Mehrstimmigkeit Musik, Musik |
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LITERARY CRITICISM / General, Aufsatzsammlung, Musikhandschrift, Fragment, Geschichte, Mediävistik, Manuskript, Mehrstimmigkeit, Musik, Mediaeval music, fragments, liturgy, materiality |
| url |
https://doi.org/10.1515/9783110717884, https://www.degruyter.com/isbn/9783110717884, https://www.degruyter.com/cover/covers/9783110717884.jpg, https://www.degruyter.com/document/cover/isbn/9783110717884/original, https://www.degruyter.com/document/doi/10.1515/9783110717884/html |
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