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|a Ralph Beyer (1921-2008), exiled at the age of sixteen from Nazi Germany, made his home and career in Britain. He was a carver of stone inscriptions, best known for his huge "Tablets of the Word" in Basil Spence?s Coventry Cathedral. These broke the mould of classical formality associated with British lettercarving after Eric Gill ? their irregularity and roughness offending conventional notions of ?correctness?. In fact, Beyer had spent a few formative months in Gill?s workshop, but his own unique voice owed as much to his childhood in Weimar Germany and his father?s wide interests, which ranged from Modernist architecture to ?primitive? art. In Britain, Beyer came to know Henry Moore and Nikolaus Pevsner, and was influenced by the artist and poet David Jones. He thus straddles both German and British traditions in lettering as well as the wider art world. 00This book, profusely illustrated, charts Beyer?s increasing sensitivity to words and their realisation in stone. It places his inscriptions, and to a lesser extent his typeface design and sculpture, in context, in the process raising questions about hand lettering itself and what place the making of stone inscriptions may have in the modern world
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SOLR
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1797788665159614464 |
| author |
Neilson, John |
| author2 |
Beyer, Ralph, De Waal, Edmund |
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ill, wpr |
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r b rb, w e d we wed |
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Neilson, John, Beyer, Ralph, De Waal, Edmund |
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aut |
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Neilson, John 1959- |
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j n jn |
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Library A |
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N - Fine Arts |
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NB497 |
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sid-183-col-kxpbbi |
| contents |
Ralph Beyer (1921-2008), exiled at the age of sixteen from Nazi Germany, made his home and career in Britain. He was a carver of stone inscriptions, best known for his huge "Tablets of the Word" in Basil Spence?s Coventry Cathedral. These broke the mould of classical formality associated with British lettercarving after Eric Gill ? their irregularity and roughness offending conventional notions of ?correctness?. In fact, Beyer had spent a few formative months in Gill?s workshop, but his own unique voice owed as much to his childhood in Weimar Germany and his father?s wide interests, which ranged from Modernist architecture to ?primitive? art. In Britain, Beyer came to know Henry Moore and Nikolaus Pevsner, and was influenced by the artist and poet David Jones. He thus straddles both German and British traditions in lettering as well as the wider art world. 00This book, profusely illustrated, charts Beyer?s increasing sensitivity to words and their realisation in stone. It places his inscriptions, and to a lesser extent his typeface design and sculpture, in context, in the process raising questions about hand lettering itself and what place the making of stone inscriptions may have in the modern world |
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(DE-627)1749263947, (DE-599)KXP1749263947, (OCoLC)1238191392 |
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736/.5092 |
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700 - The arts |
| dewey-ones |
736 - Carving and carvings |
| dewey-raw |
736/.5092 |
| dewey-search |
736/.5092 |
| dewey-sort |
3736 45092 |
| dewey-tens |
730 - Sculpture and related arts |
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Local |
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Beyer, Ralph, Schriftkunst, Inschrift, Steinmetzarbeit |
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Kunst und Kunstgeschichte, Allgemeines, Land- und Forstwirtschaft, Gartenbau, Fischereiwirtschaft, Hauswirtschaft |
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finearts, information-bookscience |
| footnote |
Includes bibliographical references (pages 166-167) and index |
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Book, StillImage |
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Book, E-Book |
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Book, E-Book |
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Book, E-Book |
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Buch |
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text-print-monograph-independent |
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e-Book |
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Book, E-Book, Visual Media |
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Book |
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Book, E-Book |
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Book, E-Book |
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Book |
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not assigned |
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Germany, Great Britain |
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Great Britain, Germany |
| id |
183-1749263947 |
| illustrated |
Not Illustrated |
| imprint |
Farnham, Surrey, The Crafts Study Centre, 2021 |
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Farnham, Surrey: The Crafts Study Centre, 2021, London: Lund Humphries, 2021 |
| institution |
FID-BBI-DE-23 |
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|
| is_hierarchy_title |
|
| isbn |
1848224753, 9781848224759 |
| language |
English |
| last_indexed |
2024-04-30T19:21:15.95Z |
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K10plus Verbundkatalog |
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1238191392 |
| physical |
175 Seiten; Illustrationen; 25 cm |
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2021, , 2021 |
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2021 |
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Farnham, Surrey, ; London |
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The Crafts Study Centre, : Lund Humphries |
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| spelling |
Neilson, John 1959- VerfasserIn (DE-588)123338757X (DE-627)1757735151 aut, The inscriptions of Ralph Beyer John Neilson ; foreword by Edmund de Waal, Farnham, Surrey The Crafts Study Centre 2021, London Lund Humphries 2021, 175 Seiten Illustrationen 25 cm, Text txt rdacontent, unbewegtes Bild sti rdacontent, ohne Hilfsmittel zu benutzen n rdamedia, Band nc rdacarrier, Includes bibliographical references (pages 166-167) and index, Ralph Beyer (1921-2008), exiled at the age of sixteen from Nazi Germany, made his home and career in Britain. He was a carver of stone inscriptions, best known for his huge "Tablets of the Word" in Basil Spence?s Coventry Cathedral. These broke the mould of classical formality associated with British lettercarving after Eric Gill ? their irregularity and roughness offending conventional notions of ?correctness?. In fact, Beyer had spent a few formative months in Gill?s workshop, but his own unique voice owed as much to his childhood in Weimar Germany and his father?s wide interests, which ranged from Modernist architecture to ?primitive? art. In Britain, Beyer came to know Henry Moore and Nikolaus Pevsner, and was influenced by the artist and poet David Jones. He thus straddles both German and British traditions in lettering as well as the wider art world. 00This book, profusely illustrated, charts Beyer?s increasing sensitivity to words and their realisation in stone. It places his inscriptions, and to a lesser extent his typeface design and sculpture, in context, in the process raising questions about hand lettering itself and what place the making of stone inscriptions may have in the modern world, Beyer, Ralph, Stone carvers Great Britain, Stone carvers Germany, Stone carving, Stone carvers, Germany, Great Britain, p (DE-588)1214251633 (DE-627)1725203219 Beyer, Ralph 1921-2008 gnd, s (DE-588)4180005-9 (DE-627)105329177 (DE-576)209995165 Schriftkunst gnd, s (DE-588)4027107-9 (DE-627)10628598X (DE-576)208969276 Inschrift gnd, s (DE-588)4138515-9 (DE-627)105642061 (DE-576)209686693 Steinmetzarbeit gnd, (DE-627), Beyer, Ralph 1921-2008 IllustratorIn (DE-588)1214251633 (DE-627)1725203219 ill, De Waal, Edmund 1964- VerfasserIn eines Vorworts (DE-588)141680105 (DE-627)630824363 (DE-576)178404128 wpr, https://swbplus.bsz-bw.de/bsz1749263947inh.htm V:DE-576;B:DE-14 application/pdf 20210325173844 Inhaltsverzeichnis |
| spellingShingle |
Neilson, John, The inscriptions of Ralph Beyer, Ralph Beyer (1921-2008), exiled at the age of sixteen from Nazi Germany, made his home and career in Britain. He was a carver of stone inscriptions, best known for his huge "Tablets of the Word" in Basil Spence?s Coventry Cathedral. These broke the mould of classical formality associated with British lettercarving after Eric Gill ? their irregularity and roughness offending conventional notions of ?correctness?. In fact, Beyer had spent a few formative months in Gill?s workshop, but his own unique voice owed as much to his childhood in Weimar Germany and his father?s wide interests, which ranged from Modernist architecture to ?primitive? art. In Britain, Beyer came to know Henry Moore and Nikolaus Pevsner, and was influenced by the artist and poet David Jones. He thus straddles both German and British traditions in lettering as well as the wider art world. 00This book, profusely illustrated, charts Beyer?s increasing sensitivity to words and their realisation in stone. It places his inscriptions, and to a lesser extent his typeface design and sculpture, in context, in the process raising questions about hand lettering itself and what place the making of stone inscriptions may have in the modern world, Beyer, Ralph, Stone carvers Great Britain, Stone carvers Germany, Stone carving, Stone carvers, Germany, Great Britain, Schriftkunst, Inschrift, Steinmetzarbeit |
| title |
The inscriptions of Ralph Beyer |
| title_auth |
The inscriptions of Ralph Beyer |
| title_full |
The inscriptions of Ralph Beyer John Neilson ; foreword by Edmund de Waal |
| title_fullStr |
The inscriptions of Ralph Beyer John Neilson ; foreword by Edmund de Waal |
| title_full_unstemmed |
The inscriptions of Ralph Beyer John Neilson ; foreword by Edmund de Waal |
| title_short |
The inscriptions of Ralph Beyer |
| title_sort |
the inscriptions of ralph beyer |
| title_unstemmed |
The inscriptions of Ralph Beyer |
| topic |
Beyer, Ralph, Stone carvers Great Britain, Stone carvers Germany, Stone carving, Stone carvers, Germany, Great Britain, Schriftkunst, Inschrift, Steinmetzarbeit |
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Beyer, Ralph, Stone carvers, Stone carving, Schriftkunst, Inschrift, Steinmetzarbeit |
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