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|a The presence of gold, silver, and other metals is a hallmark of decorated manuscripts, the very characteristic that makes them “illuminated.” Medieval artists often used metal pigment and leaf to depict metal objects both real and imagined, such as chalices, crosses, tableware, and even idols; the luminosity of these representations contrasted pointedly with the surrounding paints, enriching the page and dazzling the viewer. To elucidate this key artistic tradition, this volume represents the first in-depth scholarly assessment of the depiction of precious-metal objects in manuscripts and the media used to conjure them. From Paris to the Abbasid caliphate, and from Ethiopia to Bruges, the case studies gathered here forge novel approaches to the materiality and pictoriality of illumination. In exploring the semiotic, material, iconographic, and technical dimensions of these manuscripts, the authors reveal the canny ways in which painters generated metallic presence on the page. Illuminating Metalwork is a landmark contribution to the study of the medieval book and its visual and embodied reception, and is poised to be a staple of research in art history and manuscript studies, accessible to undergraduates and specialists alike
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The presence of gold, silver, and other metals is a hallmark of decorated manuscripts, the very characteristic that makes them “illuminated.” Medieval artists often used metal pigment and leaf to depict metal objects both real and imagined, such as chalices, crosses, tableware, and even idols; the luminosity of these representations contrasted pointedly with the surrounding paints, enriching the page and dazzling the viewer. To elucidate this key artistic tradition, this volume represents the first in-depth scholarly assessment of the depiction of precious-metal objects in manuscripts and the media used to conjure them. From Paris to the Abbasid caliphate, and from Ethiopia to Bruges, the case studies gathered here forge novel approaches to the materiality and pictoriality of illumination. In exploring the semiotic, material, iconographic, and technical dimensions of these manuscripts, the authors reveal the canny ways in which painters generated metallic presence on the page. Illuminating Metalwork is a landmark contribution to the study of the medieval book and its visual and embodied reception, and is poised to be a staple of research in art history and manuscript studies, accessible to undergraduates and specialists alike |
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(DE-627)1785991698, (DE-599)KEP072503653, (DE-B1597)507621, (EBP)072503653 |
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10.1515/9783110637526 |
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2016 |
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EBA-CL-HICS, EBA-CL-LT, EBA-DGALL, EBA-EBKALL, EBA-ECL-HICS, EBA-ECL-LT, EBA-EEBKALL, EBA-ESSHALL, EBA-SSHALL, GBV-deGruyter-alles, PDA11SSHE, PDA13ENGE, PDA17SSHEE, PDA5EBK, ZDB-23-DGG, ZDB-23-DKU |
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Online |
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Illuminierte Handschrift, Goldschmiedekunst, Metall, Vergoldung, Geschichte 700-1520, Buchmalerei, Geschichte 500-1500, Gold, Metallgegenstand, Motiv |
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Medieval art history, manuscript studies, manuscripts conservation, metalwork |
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Allgemeines, Kunst und Kunstgeschichte |
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finearts, information-bookscience |
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eBook, ConferenceProceedings |
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Ebook |
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Book, E-Book |
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Book, E-Book |
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E-Book |
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Konferenzschrift 2016 Saint-Louis (DE-588)1071861417 (DE-627)826484824 (DE-576)433375485 gnd-content |
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Saint-Louis |
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Berlin, Boston, De Gruyter, [2022] |
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Berlin; Boston: De Gruyter, [2022] |
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FID-BBI-DE-23 |
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183-1785991698 |
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Illuminating metalwork: metal, object, and image in Medieval manuscripts |
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9783110637526, 9783110637083 |
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9783110620153, 3110620154 |
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2367-0304 |
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English |
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2024-05-16T19:25:24.878Z |
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10.1515/9783110637526 |
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[geogr_code]Unable to make public java.lang.AbstractStringBuilder java.lang.AbstractStringBuilder.append(java.lang.String) accessible: module java.base does not "opens java.lang" to unnamed module @4598ee71 |
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K10plus Verbundkatalog |
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515015598 |
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(515015598)volume 4 |
| physical |
1 Online-Ressource (XIII, 530 Seiten); Illustrationen |
| publishDate |
[2022] |
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2022 |
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Berlin |
| publisher |
De Gruyter |
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Allgemeines, Buch- und Bibliothekswesen, Informationswissenschaft, Buchwesen, Geschichte des Buches und Buchwesens, Mittelalterliche Buchgeschichte, Schrift und Handschriftenkunde. Schriftarten und Schreiben, Handschriftenkunde, Buchmalerei, Technik der Buchmalerei (Federzeichnung, Lavierung, Deckfarbenmalerei usw.), Kunstgeschichte, Allgemeines. Allgemeine Kunstgeschichte, Kunstgeschichte einzelner Gattungen der Kunst, Abhandlungen zur Ästhetik |
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AM 52000 - AM 53800, A, AN 14000 - AN 49600, AN 17800 - AN 18990, LH 10015 - LH 90260, AM 52200, AM, AN, LH 72000 - LH 72370, AN 17900, AM 40000 - AM 97400, LD,LH - LO, LH 67000 - LH 84995, LH 72020 |
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Sense, matter, and medium, volume 4 |
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Sense, matter, and medium ; volume 4 |
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183 |
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Illuminating metalwork metal, object, and image in Medieval manuscripts edited by Joseph Salvatore Ackley, Shannon L. Wearing, Berlin Boston De Gruyter [2022], 1 Online-Ressource (XIII, 530 Seiten) Illustrationen, Text txt rdacontent, Computermedien c rdamedia, Online-Ressource cr rdacarrier, Sense, matter, and medium volume 4, Restricted Access Controlled Vocabulary for Access Rights http://purl.org/coar/access_right/c_16ec online access with authorization star, The presence of gold, silver, and other metals is a hallmark of decorated manuscripts, the very characteristic that makes them “illuminated.” Medieval artists often used metal pigment and leaf to depict metal objects both real and imagined, such as chalices, crosses, tableware, and even idols; the luminosity of these representations contrasted pointedly with the surrounding paints, enriching the page and dazzling the viewer. To elucidate this key artistic tradition, this volume represents the first in-depth scholarly assessment of the depiction of precious-metal objects in manuscripts and the media used to conjure them. From Paris to the Abbasid caliphate, and from Ethiopia to Bruges, the case studies gathered here forge novel approaches to the materiality and pictoriality of illumination. In exploring the semiotic, material, iconographic, and technical dimensions of these manuscripts, the authors reveal the canny ways in which painters generated metallic presence on the page. Illuminating Metalwork is a landmark contribution to the study of the medieval book and its visual and embodied reception, and is poised to be a staple of research in art history and manuscript studies, accessible to undergraduates and specialists alike, Mode of access: Internet via World Wide Web., Illumination of books and manuscripts Technique, Illumination of books and manuscripts, Medieval, LITERARY CRITICISM / General, Medieval art history, manuscript studies, manuscripts conservation, metalwork, Konferenzschrift 2016 Saint-Louis (DE-588)1071861417 (DE-627)826484824 (DE-576)433375485 gnd-content, s (DE-588)4120472-4 (DE-627)105776262 (DE-576)209535407 Illuminierte Handschrift gnd, s (DE-588)4738421-9 (DE-627)366443844 (DE-576)215906500 Goldschmiedekunst Motiv gnd, s (DE-588)1263140432 (DE-627)1811137334 Metall Motiv gnd, s (DE-588)4202709-3 (DE-627)105156469 (DE-576)210150440 Vergoldung gnd, z gnd Geschichte 700-1520, DE-101, s (DE-588)4113771-1 (DE-627)105826979 (DE-576)209479191 Goldschmiedekunst gnd, s (DE-588)4008650-1 (DE-627)104318244 (DE-576)208877517 Buchmalerei gnd, z gnd Geschichte 500-1500, (DE-627), s (DE-588)4157819-3 (DE-627)104528605 (DE-576)20983756X Gold gnd, s (DE-588)4169585-9 (DE-627)105408921 (DE-576)209923830 Metallgegenstand gnd, s (DE-588)4040360-9 (DE-627)106223852 (DE-576)20903968X Motiv gnd, Ackley, Joseph Salvatore HerausgeberIn (DE-588)1249170273 (DE-627)1785453793 edt, Wearing, Shannon L. HerausgeberIn (DE-588)1250360374 (DE-627)1787197336 edt, 9783110620153, Erscheint auch als Druck-Ausgabe Illuminating metalwork Berlin : De Gruyter, 2022 XIII, 530 Seiten (DE-627)1751055744 9783110620153 3110620154, Sense, matter, and medium volume 4 4 (DE-627)1042257353 (DE-576)515015598 (DE-600)2952940-2 2367-0304 ns, https://doi.org/10.1515/9783110637526 X:GRUY Verlag lizenzpflichtig Volltext, https://www.degruyter.com/isbn/9783110637526 X:GRUY Verlag lizenzpflichtig Volltext, https://www.degruyter.com/document/cover/isbn/9783110637526/original X:GRUY Verlag Cover |
| spellingShingle |
Illuminating metalwork: metal, object, and image in Medieval manuscripts, Sense, matter, and medium, volume 4, The presence of gold, silver, and other metals is a hallmark of decorated manuscripts, the very characteristic that makes them “illuminated.” Medieval artists often used metal pigment and leaf to depict metal objects both real and imagined, such as chalices, crosses, tableware, and even idols; the luminosity of these representations contrasted pointedly with the surrounding paints, enriching the page and dazzling the viewer. To elucidate this key artistic tradition, this volume represents the first in-depth scholarly assessment of the depiction of precious-metal objects in manuscripts and the media used to conjure them. From Paris to the Abbasid caliphate, and from Ethiopia to Bruges, the case studies gathered here forge novel approaches to the materiality and pictoriality of illumination. In exploring the semiotic, material, iconographic, and technical dimensions of these manuscripts, the authors reveal the canny ways in which painters generated metallic presence on the page. Illuminating Metalwork is a landmark contribution to the study of the medieval book and its visual and embodied reception, and is poised to be a staple of research in art history and manuscript studies, accessible to undergraduates and specialists alike, Illumination of books and manuscripts Technique, Illumination of books and manuscripts, Medieval, LITERARY CRITICISM / General, Medieval art history, manuscript studies, manuscripts conservation, metalwork, Konferenzschrift 2016 Saint-Louis, Illuminierte Handschrift, Goldschmiedekunst Motiv, Metall Motiv, Vergoldung, Geschichte 700-1520, Goldschmiedekunst, Buchmalerei, Geschichte 500-1500, Gold, Metallgegenstand, Motiv |
| title |
Illuminating metalwork: metal, object, and image in Medieval manuscripts |
| title_auth |
Illuminating metalwork metal, object, and image in Medieval manuscripts |
| title_full |
Illuminating metalwork metal, object, and image in Medieval manuscripts edited by Joseph Salvatore Ackley, Shannon L. Wearing |
| title_fullStr |
Illuminating metalwork metal, object, and image in Medieval manuscripts edited by Joseph Salvatore Ackley, Shannon L. Wearing |
| title_full_unstemmed |
Illuminating metalwork metal, object, and image in Medieval manuscripts edited by Joseph Salvatore Ackley, Shannon L. Wearing |
| title_in_hierarchy |
volume 4. Illuminating metalwork: metal, object, and image in Medieval manuscripts ([2022]) |
| title_short |
Illuminating metalwork |
| title_sort |
illuminating metalwork metal, object, and image in medieval manuscripts |
| title_sub |
metal, object, and image in Medieval manuscripts |
| title_unstemmed |
Illuminating metalwork: metal, object, and image in Medieval manuscripts |
| topic |
Illumination of books and manuscripts Technique, Illumination of books and manuscripts, Medieval, LITERARY CRITICISM / General, Medieval art history, manuscript studies, manuscripts conservation, metalwork, Konferenzschrift 2016 Saint-Louis, Illuminierte Handschrift, Goldschmiedekunst Motiv, Metall Motiv, Vergoldung, Geschichte 700-1520, Goldschmiedekunst, Buchmalerei, Geschichte 500-1500, Gold, Metallgegenstand, Motiv |
| topic_facet |
Illumination of books and manuscripts, Illumination of books and manuscripts, Medieval, LITERARY CRITICISM / General, Technique, Konferenzschrift, Illuminierte Handschrift, Goldschmiedekunst, Metall, Vergoldung, Geschichte 700-1520, Buchmalerei, Geschichte 500-1500, Gold, Metallgegenstand, Motiv, Medieval art history, manuscript studies, manuscripts conservation, metalwork |
| url |
https://doi.org/10.1515/9783110637526, https://www.degruyter.com/isbn/9783110637526, https://www.degruyter.com/document/cover/isbn/9783110637526/original |
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AT ackleyjosephsalvatore illuminatingmetalworkmetalobjectandimageinmedievalmanuscripts, AT wearingshannonl illuminatingmetalworkmetalobjectandimageinmedievalmanuscripts |