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|a Dante (the seventh centenary of whose death is being marked in 2021), the author of one of the greatest works of European literature, has also inspired a wealth of images which, themselves, continue to shape our perceptions of the poet as visionary; of romantic love and political corruption; and of hell and salvation, whether understood in the context of this world or another. At the core of the Comedy and of its related visual images is the emblematic significance of the lives of individual persons.0Dante may be considered the inventor of our modern ideas of fame and celebrity. He was the first person who, though of no particular distinction in the world - a mere poet - became a celebrity in his own lifetime. And in the Comedy, Dante made famous individuals about whom we should otherwise know nothing. For the first time, poetry turned obscurities into household names - the doomed adulterous lovers, Paolo and Francesca; Ciacco the glutton; the gentle personality of La Pia. The radical democracy of Dante's perspective had no precedent. 0Dante also questioned the significance and value of worldly fame. His reflection on the human desire for notoriety is paradigmatic for our own society of spectacle, in which (as Andy Warhol predicted) 'everyone will be world-famous for five minutes'. Dante himself was keenly aware of religious warnings about the futility of worldly vanity; yet he arrived at a personal conviction that the earthly fame of the poet could none the less be a force for good.00Exhibition: Ashmolean Museum, Oxford, UK (17.09.2021-09.01.2022)
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Rosser, Gervase |
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Ashmolean Museum |
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orm |
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Rosser, Gervase, Ashmolean Museum |
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Dante (the seventh centenary of whose death is being marked in 2021), the author of one of the greatest works of European literature, has also inspired a wealth of images which, themselves, continue to shape our perceptions of the poet as visionary; of romantic love and political corruption; and of hell and salvation, whether understood in the context of this world or another. At the core of the Comedy and of its related visual images is the emblematic significance of the lives of individual persons.0Dante may be considered the inventor of our modern ideas of fame and celebrity. He was the first person who, though of no particular distinction in the world - a mere poet - became a celebrity in his own lifetime. And in the Comedy, Dante made famous individuals about whom we should otherwise know nothing. For the first time, poetry turned obscurities into household names - the doomed adulterous lovers, Paolo and Francesca; Ciacco the glutton; the gentle personality of La Pia. The radical democracy of Dante's perspective had no precedent. 0Dante also questioned the significance and value of worldly fame. His reflection on the human desire for notoriety is paradigmatic for our own society of spectacle, in which (as Andy Warhol predicted) 'everyone will be world-famous for five minutes'. Dante himself was keenly aware of religious warnings about the futility of worldly vanity; yet he arrived at a personal conviction that the earthly fame of the poet could none the less be a force for good.00Exhibition: Ashmolean Museum, Oxford, UK (17.09.2021-09.01.2022) |
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(DE-627)1795600918, (DE-599)KXP1795600918, (OCoLC)1304484444 |
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851.1 |
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800 - Literature (Belles-lettres) and rhetoric |
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851 - Italian poetry |
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851.1 |
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851.1 |
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3851.1 |
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850 - Italian, Romanian & related literatures |
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1265-1321, To 1500, 2021-2022 |
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Local |
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Dante, Berühmte Persönlichkeit, Personenkult, Massenkultur, Geschichte Anfänge-2000 |
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Romanistik |
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philology-romanic, socialsciences, communication-studies, information-bookscience |
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Enthält Literaturverzeichnis, Ausstellungsinformationen von der Homepage des Ashmolean Museums (Stand: 11.4.22) |
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text-print-monograph-independent-exhibitioncatalogue |
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Book |
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Book |
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Ausstellungskatalog Ashmolean Museum 2021-2022 Oxford (DE-588)4135467-9 (DE-627)10566491X (DE-576)209660988 gnd-content |
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Oxford |
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Oxford, Ashmolean Museum, [2021] |
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Oxford: Ashmolean Museum, [2021] |
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1910807494, 9781910807491 |
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English |
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2024-04-30T19:20:45.008Z |
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64 Seiten; Illustrationen; 27 cm |
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Rosser, Gervase 1956- VerfasserIn (DE-588)1036866319 (DE-627)751354449 (DE-576)387050485 aut, Dante the invention of celebrity Gervase Rosser, Oxford Ashmolean Museum [2021], 64 Seiten Illustrationen 27 cm, Text txt rdacontent, unbewegtes Bild sti rdacontent, ohne Hilfsmittel zu benutzen n rdamedia, Band nc rdacarrier, Enthält Literaturverzeichnis, Ausstellungsinformationen von der Homepage des Ashmolean Museums (Stand: 11.4.22), Dante (the seventh centenary of whose death is being marked in 2021), the author of one of the greatest works of European literature, has also inspired a wealth of images which, themselves, continue to shape our perceptions of the poet as visionary; of romantic love and political corruption; and of hell and salvation, whether understood in the context of this world or another. At the core of the Comedy and of its related visual images is the emblematic significance of the lives of individual persons.0Dante may be considered the inventor of our modern ideas of fame and celebrity. He was the first person who, though of no particular distinction in the world - a mere poet - became a celebrity in his own lifetime. And in the Comedy, Dante made famous individuals about whom we should otherwise know nothing. For the first time, poetry turned obscurities into household names - the doomed adulterous lovers, Paolo and Francesca; Ciacco the glutton; the gentle personality of La Pia. The radical democracy of Dante's perspective had no precedent. 0Dante also questioned the significance and value of worldly fame. His reflection on the human desire for notoriety is paradigmatic for our own society of spectacle, in which (as Andy Warhol predicted) 'everyone will be world-famous for five minutes'. Dante himself was keenly aware of religious warnings about the futility of worldly vanity; yet he arrived at a personal conviction that the earthly fame of the poet could none the less be a force for good.00Exhibition: Ashmolean Museum, Oxford, UK (17.09.2021-09.01.2022), Dante Alighieri 1265-1321 Divina commedia, Dante Alighieri 1265-1321 Public opinion, Dante Alighieri, Divina commedia (Dante Alighieri), Fame History To 1500, Public opinion, Fame, History, Ausstellungskatalog Ashmolean Museum 2021-2022 Oxford (DE-588)4135467-9 (DE-627)10566491X (DE-576)209660988 gnd-content, p (DE-588)118523708 (DE-627)136184804 (DE-576)160675049 Dante Alighieri 1265-1321 gnd, s (DE-588)4191412-0 (DE-627)105242233 (DE-576)210073292 Berühmte Persönlichkeit gnd, s (DE-588)4173916-4 (DE-627)105376280 (DE-576)209953586 Personenkult gnd, s (DE-588)4125858-7 (DE-627)105736864 (DE-576)209580143 Massenkultur gnd, z gnd Geschichte Anfänge-2000, (DE-627), Ashmolean Museum VeranstalterIn (DE-588)1007560-4 (DE-627)103105654 (DE-576)191173177 orm |
| spellingShingle |
Rosser, Gervase, Dante: the invention of celebrity, Dante (the seventh centenary of whose death is being marked in 2021), the author of one of the greatest works of European literature, has also inspired a wealth of images which, themselves, continue to shape our perceptions of the poet as visionary; of romantic love and political corruption; and of hell and salvation, whether understood in the context of this world or another. At the core of the Comedy and of its related visual images is the emblematic significance of the lives of individual persons.0Dante may be considered the inventor of our modern ideas of fame and celebrity. He was the first person who, though of no particular distinction in the world - a mere poet - became a celebrity in his own lifetime. And in the Comedy, Dante made famous individuals about whom we should otherwise know nothing. For the first time, poetry turned obscurities into household names - the doomed adulterous lovers, Paolo and Francesca; Ciacco the glutton; the gentle personality of La Pia. The radical democracy of Dante's perspective had no precedent. 0Dante also questioned the significance and value of worldly fame. His reflection on the human desire for notoriety is paradigmatic for our own society of spectacle, in which (as Andy Warhol predicted) 'everyone will be world-famous for five minutes'. Dante himself was keenly aware of religious warnings about the futility of worldly vanity; yet he arrived at a personal conviction that the earthly fame of the poet could none the less be a force for good.00Exhibition: Ashmolean Museum, Oxford, UK (17.09.2021-09.01.2022), Dante Alighieri 1265-1321 Divina commedia, Dante Alighieri 1265-1321 Public opinion, Dante Alighieri, Divina commedia (Dante Alighieri), Fame History To 1500, Public opinion, Fame, History, Ausstellungskatalog Ashmolean Museum 2021-2022 Oxford, Dante, Berühmte Persönlichkeit, Personenkult, Massenkultur, Geschichte Anfänge-2000 |
| title |
Dante: the invention of celebrity |
| title_auth |
Dante the invention of celebrity |
| title_full |
Dante the invention of celebrity Gervase Rosser |
| title_fullStr |
Dante the invention of celebrity Gervase Rosser |
| title_full_unstemmed |
Dante the invention of celebrity Gervase Rosser |
| title_short |
Dante |
| title_sort |
dante the invention of celebrity |
| title_sub |
the invention of celebrity |
| title_unstemmed |
Dante: the invention of celebrity |
| topic |
Dante Alighieri 1265-1321 Divina commedia, Dante Alighieri 1265-1321 Public opinion, Dante Alighieri, Divina commedia (Dante Alighieri), Fame History To 1500, Public opinion, Fame, History, Ausstellungskatalog Ashmolean Museum 2021-2022 Oxford, Dante, Berühmte Persönlichkeit, Personenkult, Massenkultur, Geschichte Anfänge-2000 |
| topic_facet |
Dante Alighieri, Public opinion, Divina commedia (Dante Alighieri), Fame, History, Ausstellungskatalog, Ashmolean Museum, Dante, Berühmte Persönlichkeit, Personenkult, Massenkultur, Geschichte Anfänge-2000 |
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AT rossergervase dantetheinventionofcelebrity, AT ashmoleanmuseum dantetheinventionofcelebrity |