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"This study provides one of the most detailed and comprehensive examinations ever devoted to a critical transformation in the material substance of the printed page; it carries out this exploration in the history of the book, moreover, by embedding these typographical changes in the context of other cultural phenomena in eighteenth-century Britain. The gradual abandonment of pervasive capitalization, italics, and caps and small caps in books printed in London, Dublin, and the American colonies between 1740 and 1780 is mapped in five-year increments which reveal that the appearance of the modern page in English began to emerge around 1765. This descriptive and analytical account focuses on poetry, classical texts, Shakespeare, contemporary plays, the novel, the Bible, the Book of Common Prayer, sermons and religious writings, newspapers, magazines, anthologies, government publications, and private correspondence; it also examines the reading public, canon formation, editorial theory and practice, and the role of typography in textual interpretation. These changes in printing conventions are then compared to other aspects of cultural change: the adoption of the Gregorian calendar in 1752, the publication of Johnson's Dictionary in 1755, the transformation of shop signs and the imposition of house numbers in London beginning in 1762, and the evolution of the English language and of English prose style. This study concludes that this fundamental shift in printing conventions was closely tied to a pervasive interest in refinement, regularity, and standardization in the second half of the century—and that it was therefore an important component in the self-conscious process of modernizing British culture."-- |
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Wendorf, Richard VerfasserIn (DE-588)1066795134 (DE-627)817947264 (DE-576)426146204 aut, Printing history and cultural change fashioning the modern English text in eighteenth-century Britain Richard Wendorf, First edition, Oxford Oxford University Press 2022, xviii, 328 Seiten Illustrationen, Text txt rdacontent, ohne Hilfsmittel zu benutzen n rdamedia, Band nc rdacarrier, Literaturverzeichnis: Seite 291-320, "This study provides one of the most detailed and comprehensive examinations ever devoted to a critical transformation in the material substance of the printed page; it carries out this exploration in the history of the book, moreover, by embedding these typographical changes in the context of other cultural phenomena in eighteenth-century Britain. The gradual abandonment of pervasive capitalization, italics, and caps and small caps in books printed in London, Dublin, and the American colonies between 1740 and 1780 is mapped in five-year increments which reveal that the appearance of the modern page in English began to emerge around 1765. This descriptive and analytical account focuses on poetry, classical texts, Shakespeare, contemporary plays, the novel, the Bible, the Book of Common Prayer, sermons and religious writings, newspapers, magazines, anthologies, government publications, and private correspondence; it also examines the reading public, canon formation, editorial theory and practice, and the role of typography in textual interpretation. These changes in printing conventions are then compared to other aspects of cultural change: the adoption of the Gregorian calendar in 1752, the publication of Johnson's Dictionary in 1755, the transformation of shop signs and the imposition of house numbers in London beginning in 1762, and the evolution of the English language and of English prose style. This study concludes that this fundamental shift in printing conventions was closely tied to a pervasive interest in refinement, regularity, and standardization in the second half of the century—and that it was therefore an important component in the self-conscious process of modernizing British culture."--, s (DE-588)4014777-0 (DE-627)106338749 (DE-576)208909400 Englisch gnd, s (DE-588)4035964-5 (DE-627)106245015 (DE-576)209015608 Literatur gnd, s (DE-588)4013134-8 (DE-627)104665548 (DE-576)208901906 Druckwerk gnd, s (DE-588)4136341-3 (DE-627)105658235 (DE-576)209668377 Typografie gnd, z gnd Geschichte 1740-1780, (DE-627), Oxford University Press Verlag (DE-588)812629-X (DE-627)10263596X (DE-576)192310062 pbl, Erscheint auch als Online-Ausgabe Wendorf, Richard Printing history and cultural change First edition Oxford : Oxford University Press, 2022 1 Online-Ressource (x, 328 Seiten) (DE-627)1801859469 9780191924583 |
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Wendorf, Richard, Printing history and cultural change: fashioning the modern English text in eighteenth-century Britain, "This study provides one of the most detailed and comprehensive examinations ever devoted to a critical transformation in the material substance of the printed page; it carries out this exploration in the history of the book, moreover, by embedding these typographical changes in the context of other cultural phenomena in eighteenth-century Britain. The gradual abandonment of pervasive capitalization, italics, and caps and small caps in books printed in London, Dublin, and the American colonies between 1740 and 1780 is mapped in five-year increments which reveal that the appearance of the modern page in English began to emerge around 1765. This descriptive and analytical account focuses on poetry, classical texts, Shakespeare, contemporary plays, the novel, the Bible, the Book of Common Prayer, sermons and religious writings, newspapers, magazines, anthologies, government publications, and private correspondence; it also examines the reading public, canon formation, editorial theory and practice, and the role of typography in textual interpretation. These changes in printing conventions are then compared to other aspects of cultural change: the adoption of the Gregorian calendar in 1752, the publication of Johnson's Dictionary in 1755, the transformation of shop signs and the imposition of house numbers in London beginning in 1762, and the evolution of the English language and of English prose style. This study concludes that this fundamental shift in printing conventions was closely tied to a pervasive interest in refinement, regularity, and standardization in the second half of the century—and that it was therefore an important component in the self-conscious process of modernizing British culture."--, Englisch, Literatur, Druckwerk, Typografie, Geschichte 1740-1780 |
| title |
Printing history and cultural change: fashioning the modern English text in eighteenth-century Britain |
| title_auth |
Printing history and cultural change fashioning the modern English text in eighteenth-century Britain |
| title_full |
Printing history and cultural change fashioning the modern English text in eighteenth-century Britain Richard Wendorf |
| title_fullStr |
Printing history and cultural change fashioning the modern English text in eighteenth-century Britain Richard Wendorf |
| title_full_unstemmed |
Printing history and cultural change fashioning the modern English text in eighteenth-century Britain Richard Wendorf |
| title_short |
Printing history and cultural change |
| title_sort |
printing history and cultural change fashioning the modern english text in eighteenth-century britain |
| title_sub |
fashioning the modern English text in eighteenth-century Britain |
| title_unstemmed |
Printing history and cultural change: fashioning the modern English text in eighteenth-century Britain |
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Englisch, Literatur, Druckwerk, Typografie, Geschichte 1740-1780 |
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Englisch, Literatur, Druckwerk, Typografie, Geschichte 1740-1780 |
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AT wendorfrichard printinghistoryandculturalchangefashioningthemodernenglishtextineighteenthcenturybritain, AT oxforduniversitypress printinghistoryandculturalchangefashioningthemodernenglishtextineighteenthcenturybritain |