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|a Clothing sacred scriptures
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|a According to a longstanding interpretation, book religions are agents of textuality and logocentrism. This volume inverts the traditional perspective: its focus is on the strong dependency between scripture and aesthetics, holy books and material artworks, sacred texts and ritual performances. The contributions, written by a group of international specialists in Western, Byzantine, Islamic and Jewish Art, are committed to a comparative and transcultural approach. The authors reflect upon the different strategies of »clothing« sacred texts with precious materials and elaborate forms. They show how the pretypographic cultures of the Middle Ages used book ornaments as media for building a close relation between the divine words and their human audience. By exploring how art shapes the religious practice of books, and how the religious use of books shapes the evolution of artistic practices this book contributes to a new understanding of the deep nexus between sacred scripture and art.
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1795299571178405888 |
author2 |
Ganz, David, Schellewald, Barbara Maria |
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edt, edt |
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d g dg, b m s bm bms |
author_facet |
Ganz, David, Schellewald, Barbara Maria |
building |
Library A |
collection |
ZDB-23-DGF, sid-193-col-hebisbbi |
contents |
According to a longstanding interpretation, book religions are agents of textuality and logocentrism. This volume inverts the traditional perspective: its focus is on the strong dependency between scripture and aesthetics, holy books and material artworks, sacred texts and ritual performances. The contributions, written by a group of international specialists in Western, Byzantine, Islamic and Jewish Art, are committed to a comparative and transcultural approach. The authors reflect upon the different strategies of »clothing« sacred texts with precious materials and elaborate forms. They show how the pretypographic cultures of the Middle Ages used book ornaments as media for building a close relation between the divine words and their human audience. By exploring how art shapes the religious practice of books, and how the religious use of books shapes the evolution of artistic practices this book contributes to a new understanding of the deep nexus between sacred scripture and art. |
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(DE-599)HEB442101368, (OCoLC)1083626017 |
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230 |
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200 - Religion |
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230 - Christianity |
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dewey-sort |
3230 |
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230 - Christianity |
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Geschichte 500-1500 gnd |
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Geschichte 500-1500 |
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E-Book |
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Aufsatzsammlung (DE-588)4143413-4 (DE-603)085562742 gnd-content |
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Aufsatzsammlung |
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193-442101368 |
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Berlin, De Gruyter, [2018] |
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9783110558609 |
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English |
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2024-04-03T07:58:10.425Z |
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9783110558609, 10.1515/9783110558609 |
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HeBIS Verbundkatalog |
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1 Online-Ressource (VIII, 313 Seiten); Illustrationen |
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[2018], |
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2018 |
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Berlin, ; Berlin |
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De Gruyter, : De Gruyter |
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spelling |
Clothing sacred scriptures book art and book religion in Christian, Islamic, and Jewish cultures edited by David Ganz and Barbara Schellewald, Berlin De Gruyter [2018], Berlin De Gruyter, 1 Online-Ressource (VIII, 313 Seiten) Illustrationen, Text txt rdacontent, Computermedien c rdamedia, Online-Ressource cr rdacarrier, Manuscripta Biblica volume 2, According to a longstanding interpretation, book religions are agents of textuality and logocentrism. This volume inverts the traditional perspective: its focus is on the strong dependency between scripture and aesthetics, holy books and material artworks, sacred texts and ritual performances. The contributions, written by a group of international specialists in Western, Byzantine, Islamic and Jewish Art, are committed to a comparative and transcultural approach. The authors reflect upon the different strategies of »clothing« sacred texts with precious materials and elaborate forms. They show how the pretypographic cultures of the Middle Ages used book ornaments as media for building a close relation between the divine words and their human audience. By exploring how art shapes the religious practice of books, and how the religious use of books shapes the evolution of artistic practices this book contributes to a new understanding of the deep nexus between sacred scripture and art., Geschichte 500-1500 gnd, Christentum (DE-588)4010074-1 (DE-603)085019623 gnd, Islam (DE-588)4027743-4 (DE-603)085071021 gnd, Judentum (DE-588)4114087-4 (DE-603)085339938 gnd, Illuminierte Handschrift (DE-588)4120472-4 (DE-603)085384836 gnd, Heilige Schrift (DE-588)4159382-0 (DE-603)08569262X gnd, Liturgische Handschrift (DE-588)4302964-4 (DE-603)086656643 gnd, Buchmalerei (DE-588)4008650-1 (DE-603)085015180 gnd, Buchgestaltung (DE-588)4146814-4 (DE-603)085590266 gnd, Prachteinband (DE-588)7746662-7 (DE-603)263925404 gnd, Judaika (DE-588)4162795-7 (DE-603)085720054 gnd, Aufsatzsammlung (DE-588)4143413-4 (DE-603)085562742 gnd-content, Ganz, David 1970- Herausgeber edt (DE-603)155454919 (DE-588)124849970 gnd, Schellewald, Barbara Maria 1952- Herausgeber edt (DE-603)145893170 (DE-588)111351200 gnd, https://www.degruyter.com/doc/cover/9783110558609.jpg Cover, https://doi.org/10.1515/9783110558609 Resolving-System |
spellingShingle |
Clothing sacred scriptures: book art and book religion in Christian, Islamic, and Jewish cultures, According to a longstanding interpretation, book religions are agents of textuality and logocentrism. This volume inverts the traditional perspective: its focus is on the strong dependency between scripture and aesthetics, holy books and material artworks, sacred texts and ritual performances. The contributions, written by a group of international specialists in Western, Byzantine, Islamic and Jewish Art, are committed to a comparative and transcultural approach. The authors reflect upon the different strategies of »clothing« sacred texts with precious materials and elaborate forms. They show how the pretypographic cultures of the Middle Ages used book ornaments as media for building a close relation between the divine words and their human audience. By exploring how art shapes the religious practice of books, and how the religious use of books shapes the evolution of artistic practices this book contributes to a new understanding of the deep nexus between sacred scripture and art., Geschichte 500-1500, Christentum, Islam, Judentum, Illuminierte Handschrift, Heilige Schrift, Liturgische Handschrift, Buchmalerei, Buchgestaltung, Prachteinband, Judaika, Aufsatzsammlung |
title |
Clothing sacred scriptures: book art and book religion in Christian, Islamic, and Jewish cultures |
title_auth |
Clothing sacred scriptures book art and book religion in Christian, Islamic, and Jewish cultures |
title_full |
Clothing sacred scriptures book art and book religion in Christian, Islamic, and Jewish cultures edited by David Ganz and Barbara Schellewald |
title_fullStr |
Clothing sacred scriptures book art and book religion in Christian, Islamic, and Jewish cultures edited by David Ganz and Barbara Schellewald |
title_full_unstemmed |
Clothing sacred scriptures book art and book religion in Christian, Islamic, and Jewish cultures edited by David Ganz and Barbara Schellewald |
title_short |
Clothing sacred scriptures |
title_sort |
clothing sacred scriptures book art and book religion in christian, islamic, and jewish cultures |
title_sub |
book art and book religion in Christian, Islamic, and Jewish cultures |
title_unstemmed |
Clothing sacred scriptures: book art and book religion in Christian, Islamic, and Jewish cultures |
topic |
Geschichte 500-1500, Christentum, Islam, Judentum, Illuminierte Handschrift, Heilige Schrift, Liturgische Handschrift, Buchmalerei, Buchgestaltung, Prachteinband, Judaika, Aufsatzsammlung |
topic_facet |
Christentum, Islam, Judentum, Illuminierte Handschrift, Heilige Schrift, Liturgische Handschrift, Buchmalerei, Buchgestaltung, Prachteinband, Judaika, Aufsatzsammlung |
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