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|a The presence of gold, silver, and other metals is a hallmark of decorated manuscripts, the very characteristic that makes them "illuminated." Medieval artists often used metal pigment and leaf to depict metal objects both real and imagined, such as chalices, crosses, tableware, and even idols; the luminosity of these representations contrasted pointedly with the surrounding paints, enriching the page and dazzling the viewer. To elucidate this key artistic tradition, this volume represents the first in-depth scholarly assessment of the depiction of precious-metal objects in manuscripts and the media used to conjure them. From Paris to the Abbasid caliphate, and from Ethiopia to Bruges, the case studies gathered here forge novel approaches to the materiality and pictoriality of illumination. In exploring the semiotic, material, iconographic, and technical dimensions of these manuscripts, the authors reveal the canny ways in which painters generated metallic presence on the page. Illuminating Metalwork is a landmark contribution to the study of the medieval book and its visual and embodied reception, and is poised to be a staple of research in art history and manuscript studies, accessible to undergraduates and specialists alike.
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Ackley, Joseph Salvatore, Wearing, Shannon L. |
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Ackley, Joseph Salvatore, Wearing, Shannon L. |
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ZDB-23-DGG, sid-193-col-hebisbbi |
| contents |
The presence of gold, silver, and other metals is a hallmark of decorated manuscripts, the very characteristic that makes them "illuminated." Medieval artists often used metal pigment and leaf to depict metal objects both real and imagined, such as chalices, crosses, tableware, and even idols; the luminosity of these representations contrasted pointedly with the surrounding paints, enriching the page and dazzling the viewer. To elucidate this key artistic tradition, this volume represents the first in-depth scholarly assessment of the depiction of precious-metal objects in manuscripts and the media used to conjure them. From Paris to the Abbasid caliphate, and from Ethiopia to Bruges, the case studies gathered here forge novel approaches to the materiality and pictoriality of illumination. In exploring the semiotic, material, iconographic, and technical dimensions of these manuscripts, the authors reveal the canny ways in which painters generated metallic presence on the page. Illuminating Metalwork is a landmark contribution to the study of the medieval book and its visual and embodied reception, and is poised to be a staple of research in art history and manuscript studies, accessible to undergraduates and specialists alike. |
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©2022 |
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2021 |
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©2022, , [2022], |
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, ; Berlin, ; Berlin |
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Illuminating metalwork metal, object, and image in medieval manuscripts edited by Joseph Salvatore Ackley and Shannon L. Wearing, ©2022, Berlin De Gruyter [2022], Berlin Walter de Gruyter GmbH, 1 Online-Ressource, Text txt rdacontent, Computermedien c rdamedia, Online-Ressource cr rdacarrier, Sense, matter, and medium volume 4, The presence of gold, silver, and other metals is a hallmark of decorated manuscripts, the very characteristic that makes them "illuminated." Medieval artists often used metal pigment and leaf to depict metal objects both real and imagined, such as chalices, crosses, tableware, and even idols; the luminosity of these representations contrasted pointedly with the surrounding paints, enriching the page and dazzling the viewer. To elucidate this key artistic tradition, this volume represents the first in-depth scholarly assessment of the depiction of precious-metal objects in manuscripts and the media used to conjure them. From Paris to the Abbasid caliphate, and from Ethiopia to Bruges, the case studies gathered here forge novel approaches to the materiality and pictoriality of illumination. In exploring the semiotic, material, iconographic, and technical dimensions of these manuscripts, the authors reveal the canny ways in which painters generated metallic presence on the page. Illuminating Metalwork is a landmark contribution to the study of the medieval book and its visual and embodied reception, and is poised to be a staple of research in art history and manuscript studies, accessible to undergraduates and specialists alike., 2021 s2021uuuuxx u|, Geschichte 700-1520 gnd, Illuminierte Handschrift (DE-588)4120472-4 (DE-603)085384836 gnd, Goldschmiedekunst Motiv (DE-588)4738421-9 (DE-603)112506143 gnd, Metall Motiv (DE-588)1263140432 (DE-603)497353008 gnd, Vergoldung (DE-588)4202709-3 (DE-603)086028677 gnd, Ackley, Joseph Salvatore Herausgeber edt (DE-603)489380662 (DE-588)1249170273 gnd, Wearing, Shannon L. Herausgeber edt (DE-603)490045103 (DE-588)1250360374 gnd, 9783110637083, 9783110620153, https://www.degruyter.com/document/cover/isbn/9783110637526/original Cover, https://doi.org/10.1515/9783110637526 Resolving-System, https://www.degruyter.com/isbn/9783110637526 Verlag |
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Illuminating metalwork: metal, object, and image in medieval manuscripts, The presence of gold, silver, and other metals is a hallmark of decorated manuscripts, the very characteristic that makes them "illuminated." Medieval artists often used metal pigment and leaf to depict metal objects both real and imagined, such as chalices, crosses, tableware, and even idols; the luminosity of these representations contrasted pointedly with the surrounding paints, enriching the page and dazzling the viewer. To elucidate this key artistic tradition, this volume represents the first in-depth scholarly assessment of the depiction of precious-metal objects in manuscripts and the media used to conjure them. From Paris to the Abbasid caliphate, and from Ethiopia to Bruges, the case studies gathered here forge novel approaches to the materiality and pictoriality of illumination. In exploring the semiotic, material, iconographic, and technical dimensions of these manuscripts, the authors reveal the canny ways in which painters generated metallic presence on the page. Illuminating Metalwork is a landmark contribution to the study of the medieval book and its visual and embodied reception, and is poised to be a staple of research in art history and manuscript studies, accessible to undergraduates and specialists alike., Geschichte 700-1520, Illuminierte Handschrift, Goldschmiedekunst, Metall, Vergoldung |
| title |
Illuminating metalwork: metal, object, and image in medieval manuscripts |
| title_auth |
Illuminating metalwork metal, object, and image in medieval manuscripts |
| title_full |
Illuminating metalwork metal, object, and image in medieval manuscripts edited by Joseph Salvatore Ackley and Shannon L. Wearing |
| title_fullStr |
Illuminating metalwork metal, object, and image in medieval manuscripts edited by Joseph Salvatore Ackley and Shannon L. Wearing |
| title_full_unstemmed |
Illuminating metalwork metal, object, and image in medieval manuscripts edited by Joseph Salvatore Ackley and Shannon L. Wearing |
| title_short |
Illuminating metalwork |
| title_sort |
illuminating metalwork metal, object, and image in medieval manuscripts |
| title_sub |
metal, object, and image in medieval manuscripts |
| title_unstemmed |
Illuminating metalwork: metal, object, and image in medieval manuscripts |
| topic |
Geschichte 700-1520, Illuminierte Handschrift, Goldschmiedekunst, Metall, Vergoldung |
| topic_facet |
Illuminierte Handschrift, Goldschmiedekunst, Metall, Vergoldung |
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AT ackleyjosephsalvatore illuminatingmetalworkmetalobjectandimageinmedievalmanuscripts, AT wearingshannonl illuminatingmetalworkmetalobjectandimageinmedievalmanuscripts |