“Not how much, but how.” Contextualizing the presentation of violence broadcast on television : Normativity and narrative genres

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“Not how much, but how.” Contextualizing the presentation of violence broadcast on television: Normativity and narrative genres
verantwortlich
Revilla, Juan Carlos; Dávila, María Celeste; Fernández-Villanueva, Concepción
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Communications
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Walter de Gruyter GmbH, 2021
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E-Article
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Walter de Gruyter GmbH (CrossRef)
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author_facet Revilla, Juan Carlos
Dávila, María Celeste
Fernández-Villanueva, Concepción
Revilla, Juan Carlos
Dávila, María Celeste
Fernández-Villanueva, Concepción
author Revilla, Juan Carlos
Dávila, María Celeste
Fernández-Villanueva, Concepción
spellingShingle Revilla, Juan Carlos
Dávila, María Celeste
Fernández-Villanueva, Concepción
Communications
“Not how much, but how.” Contextualizing the presentation of violence broadcast on television: Normativity and narrative genres
Arts and Humanities (miscellaneous)
Communication
author_sort revilla, juan carlos
spelling Revilla, Juan Carlos Dávila, María Celeste Fernández-Villanueva, Concepción 1613-4087 0341-2059 Walter de Gruyter GmbH Arts and Humanities (miscellaneous) Communication http://dx.doi.org/10.1515/commun-2020-2082 <jats:title>Abstract</jats:title> <jats:p>The analysis of TV violence cannot be limited to the quantification of its incidence, but should also take into account the type of violence broadcast and its context (what is depicted and how). Thus, normative models of violence (legitimized violence with positive consequences for the aggressor, or vice versa) could be understood as positive, while contra-normative models of violence (rewarding illegitimate violence and punishing legitimate violence) should be of far greater concern. This paper analyzes the normative contexts of TV violence through a content analysis of randomly selected fragments of TV programming (147 recorded hours). The results show that news programs and TV series/soaps delegitimized violence to a higher extent, while films tend to show legitimized or ambivalent violence. Positive consequences of violence predominate in fictional programs, except for TV series/soaps. Normative presentation of violence is more frequent, especially in nonfiction genres, as fiction has more freedom to depict the socially undesirable.</jats:p> “Not how much, but how.” Contextualizing the presentation of violence broadcast on television: Normativity and narrative genres Communications
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title “Not how much, but how.” Contextualizing the presentation of violence broadcast on television: Normativity and narrative genres
title_unstemmed “Not how much, but how.” Contextualizing the presentation of violence broadcast on television: Normativity and narrative genres
title_full “Not how much, but how.” Contextualizing the presentation of violence broadcast on television: Normativity and narrative genres
title_fullStr “Not how much, but how.” Contextualizing the presentation of violence broadcast on television: Normativity and narrative genres
title_full_unstemmed “Not how much, but how.” Contextualizing the presentation of violence broadcast on television: Normativity and narrative genres
title_short “Not how much, but how.” Contextualizing the presentation of violence broadcast on television: Normativity and narrative genres
title_sort “not how much, but how.” contextualizing the presentation of violence broadcast on television: normativity and narrative genres
topic Arts and Humanities (miscellaneous)
Communication
url http://dx.doi.org/10.1515/commun-2020-2082
publishDate 2021
physical 4-26
description Abstract The analysis of TV violence cannot be limited to the quantification of its incidence, but should also take into account the type of violence broadcast and its context (what is depicted and how). Thus, normative models of violence (legitimized violence with positive consequences for the aggressor, or vice versa) could be understood as positive, while contra-normative models of violence (rewarding illegitimate violence and punishing legitimate violence) should be of far greater concern. This paper analyzes the normative contexts of TV violence through a content analysis of randomly selected fragments of TV programming (147 recorded hours). The results show that news programs and TV series/soaps delegitimized violence to a higher extent, while films tend to show legitimized or ambivalent violence. Positive consequences of violence predominate in fictional programs, except for TV series/soaps. Normative presentation of violence is more frequent, especially in nonfiction genres, as fiction has more freedom to depict the socially undesirable.
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author Revilla, Juan Carlos, Dávila, María Celeste, Fernández-Villanueva, Concepción
author_facet Revilla, Juan Carlos, Dávila, María Celeste, Fernández-Villanueva, Concepción, Revilla, Juan Carlos, Dávila, María Celeste, Fernández-Villanueva, Concepción
author_sort revilla, juan carlos
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description Abstract The analysis of TV violence cannot be limited to the quantification of its incidence, but should also take into account the type of violence broadcast and its context (what is depicted and how). Thus, normative models of violence (legitimized violence with positive consequences for the aggressor, or vice versa) could be understood as positive, while contra-normative models of violence (rewarding illegitimate violence and punishing legitimate violence) should be of far greater concern. This paper analyzes the normative contexts of TV violence through a content analysis of randomly selected fragments of TV programming (147 recorded hours). The results show that news programs and TV series/soaps delegitimized violence to a higher extent, while films tend to show legitimized or ambivalent violence. Positive consequences of violence predominate in fictional programs, except for TV series/soaps. Normative presentation of violence is more frequent, especially in nonfiction genres, as fiction has more freedom to depict the socially undesirable.
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spelling Revilla, Juan Carlos Dávila, María Celeste Fernández-Villanueva, Concepción 1613-4087 0341-2059 Walter de Gruyter GmbH Arts and Humanities (miscellaneous) Communication http://dx.doi.org/10.1515/commun-2020-2082 <jats:title>Abstract</jats:title> <jats:p>The analysis of TV violence cannot be limited to the quantification of its incidence, but should also take into account the type of violence broadcast and its context (what is depicted and how). Thus, normative models of violence (legitimized violence with positive consequences for the aggressor, or vice versa) could be understood as positive, while contra-normative models of violence (rewarding illegitimate violence and punishing legitimate violence) should be of far greater concern. This paper analyzes the normative contexts of TV violence through a content analysis of randomly selected fragments of TV programming (147 recorded hours). The results show that news programs and TV series/soaps delegitimized violence to a higher extent, while films tend to show legitimized or ambivalent violence. Positive consequences of violence predominate in fictional programs, except for TV series/soaps. Normative presentation of violence is more frequent, especially in nonfiction genres, as fiction has more freedom to depict the socially undesirable.</jats:p> “Not how much, but how.” Contextualizing the presentation of violence broadcast on television: Normativity and narrative genres Communications
spellingShingle Revilla, Juan Carlos, Dávila, María Celeste, Fernández-Villanueva, Concepción, Communications, “Not how much, but how.” Contextualizing the presentation of violence broadcast on television: Normativity and narrative genres, Arts and Humanities (miscellaneous), Communication
title “Not how much, but how.” Contextualizing the presentation of violence broadcast on television: Normativity and narrative genres
title_full “Not how much, but how.” Contextualizing the presentation of violence broadcast on television: Normativity and narrative genres
title_fullStr “Not how much, but how.” Contextualizing the presentation of violence broadcast on television: Normativity and narrative genres
title_full_unstemmed “Not how much, but how.” Contextualizing the presentation of violence broadcast on television: Normativity and narrative genres
title_short “Not how much, but how.” Contextualizing the presentation of violence broadcast on television: Normativity and narrative genres
title_sort “not how much, but how.” contextualizing the presentation of violence broadcast on television: normativity and narrative genres
title_unstemmed “Not how much, but how.” Contextualizing the presentation of violence broadcast on television: Normativity and narrative genres
topic Arts and Humanities (miscellaneous), Communication
url http://dx.doi.org/10.1515/commun-2020-2082